Black Swan is a gripping, provocative, and what acting should be ina film. If you have not seen it run to the nearest theater and see what all the buzz is about. It's also a film where fashion and beauty intersect. MAC Cosmetics did the makeup on the film and transformed Natalie Portman from ingénue to the title character. Read this Q&A with the department and makeup designer.
Tod's Ballerina La Scala puts a spin on the ballet shoe that is fashion forwards and a perfect compliment to Spring romantic fashions. I will leave the ballerina tutu and take the layers. I drooled over all the ballerina shoes at Repetto in Paris. Just looking through the window inspired me to always remember to dance as know is watching.
{Q&A with Black Swan Makeup Department Head Margie Durand and Makeup Designer Judy Chin}
Q: How does a makeup artist prepare to work on a film? Do you receive guidance from the director or collaborate with the costume designer/art director/key hair stylist on the makeup look?
Margie: When I begin working on a film I speak to the director and all of the creative team if possible. The directors inspiration and vision really drives the process and I try to deliver that vision in makeup.
Judy: As I read the script, I try to envision the characters, taking into account their background (age, personal history, affluence, profession). As I see the plot develop in the story, I make note of how these events might affect their appearance. When I’m designing the looks for a film, it’s very important to consider the director’s visual style and tastes. Occasionally, I get to collaborate with the costume or production designers. I always try to find out how the actors will be dressed, as that can have a significant influence on the makeup look. While our designs are often created independently at first, I find that the hair stylist and I work very closely to be sure that our looks fit together and bring the characters to life.
